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Canon EOS C100 Mark II Kit with Dual Pixel CMOS AF Upgrade & EF 24–105mm f/4L IS II USM Lens Kit

Canon Model # 2245C002



  • Super 35mm 8.3MP CMOS Sensor + EF Mount

  • 1920x1080p 59.94/50/29.97/25/23.98

  • Built-In Dual Pixel CMOS AF Hardware

  • 24-105mm f/4-f/22 EF-Mount L-Series Lens

  • 4 x Aspherical Elements, 10-Blade Iris

  • AVCHD + MP4 Recording

  • Dual SDHC/SDXC Media Card Slots

  • HDMI Output with Timecode & Canon Log

  • Canon Log and Wide DR Gamma

  • Two XLR Audio Connectors

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    This Canon kit bundles the EOS C100 Mark II Cinema Camera with Dual Pixel CMOS AF with the EF 24-105mm f/4L IS II USM Zoom Lens. The camera incorporates the Dual Pixel CMOS autofocus function, providing faster and more accurate autofocusing with all Canon autofocus lenses. The versatile 24-105mm zoom lens features a constant f/4 aperture, aspherical elements that limit aberrations, and Air Sphere lens coating to reduce flaring.

    • EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only)

      The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon's updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews.

      The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow & fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5" OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts as well. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT.

      The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output.

      The ergonomic design of the EOS C100 Mark II is streamlined to support one-person shoots. Weighing only 2.2 pounds in its basic configuration, the camera's flexible modular design supports a variety of shooting styles. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage.

      Dual Pixel CMOS AF Technology
      The Continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.

      Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
      Continuous Recording
      The continuous, nonstop recording function allows you to create In and Out points in the footage every time the START/STOP button is pressed. At this time, the continuous recording function is compatible with Grass Valley's EDIUS Pro 7 software.
      320 to 102,400 ISO Range
      With an extended ISO range from 320 to 102,400, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shoot usable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operate under lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers.
      Menu Navigation via Camera Buttons
      Internal camera menus are now controllable from buttons on the camera body. While previously a removable joystick was the only way to control the internal menus, now buttons on the rear of the camera under the built-in monitor can be used. This lets you access the menus when the side grip is removed.
      Viewfinder Magnification Location Shift
      Manually move the center of the camera's magnification viewing area to one of 25 different locations throughout the image frame using the joystick. Now camera operators can easily check focus even on subjects that are located away from the center of the image frame.
      Record Button Lock
      The Key Lock setting now makes it possible to lock all operations, including the record button. This helps to prevent accidental operation during a critical shoot by the operator inadvertently pressing a wrong button
      Super 35mm 8.3MP CMOS Sensor
      The Super 35mm-sized sensor provides an angle-of-view and depth of field that equivalent to that of traditional Super 35mm film. With a native resolution of 8.3MP and a wider pixel pitch than conventional professional camcorders, the sensor offers enhanced sensitivity and reduced noise in low light environments.
      DIGIC DV 4 Image Processor
      Designed and built by Canon for the highest HD RGB processing, the DIGIC DV 4 Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations that originate in the single CMOS sensor of the camera into three channels (Red, Blue, and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs.
      Low Light Sensitivity
      Working together, the Super 35mm sensor and DIGIC DV 4 Image Processor achieve a high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light.
      Canon Log Gamma and Wide DR Gamma
      Canon Log records an image with subdued contrast and sharpness, which preserves a high dynamic range and presupposes color grading in post production. Canon Log Gamma emphasizes rich gradients from mid-range to highlights, resulting in 12-stops of dynamic range. At ISO 850 and above, Canon Log Gamma enables 5.3 stops of latitude above optimal exposure (and 6.7 stops below), broadening the available dynamic range in color grading.

      Wide DR Gamma yields wide dynamic range by suppressing brightness while maintaining gradations, but is designed to produce finished-looking images without requiring any color grading in post-production.
      EF Lens Mount with EF Contacts
      The camera is fully compatible with Canon's renowned EF mount lenses. Even specialty lenses, such as Canon's 24mm f/3.5L II tilt shift lens or the 8-15mm f/4L Ultra-Wide Zoom fisheye lens. When shooting with EF lenses, the camera features peripheral illumination correction, which automatically compensates for light fall-off in the corners of the image.
      Multiple Recording Modes and Frame Rates in AVCHD
      The camera supports AVCHD bit rates up to 24 Mbps (LPCM) at a maximum resolution of 1920x1080. Frame rates of 59.94p, 50p, 59.94i, 50i, 24p, 25p, PF30, and PF24 are all available to meet the needs of your production workflow. It supports relay recording of long takes between dual SD cards or can write video to both cards for redundancy in the event of SD card failure. Pre REC mode buffers approximately three seconds before the tally light activates.
      Multiple Recording Modes and Frame Rates in MP4
      The C100 Mark II supports recording in 1920 x 1080p recording to MP4, at multiple frame rates, and also supports 720p and 640 x 360 frame sizes.
      Uncompressed HDMI Out with Timecode & Canon Log LUT Support
      Outputting an uncompressed signal via HDMI. This signal can superimpose timecode and the 2:3 pulldown marker, which means an external recorder and converter can process the HDMI output as an SDI signal. External recorders provide an instant back-up and help to streamline post-production workflows. The HDMI output also supports Canon Log LUT output.
      Compact and Ergonomic Design
      Designed with the solo shooter in mind it is 85% the size of the Canon C300, and it is based on a mobile core design that allows additional accessories to be attached depending on the situation. Strip the camera down for a "run-and-gun" style, or complement the camera with the full range of camera-mounted accessories. With a compact body, you can even shoot dual-camera 3D without an over-sized and cumbersome rig. Its light weight reduces user fatigue and allows even elaborate rigging systems to remain mobile enough for a single operator. The removable accessory hand grip rotates 360 degrees for comfortable shooting positions, while customizable hardware buttons allow the camera to fit your own personal shooting preferences.
      Removable Top Handle with XLR Inputs and Stereo Microphone
      Including a top mounted handle unit, which features two XLR connectors and a microphone shock mount. XLR connections offer a high quality audio input for professional grade microphones and facilitate 2 channel 48kHz linear PCM (24 Mbps) audio recordings.
      High Resolution EVF and Integrated OLED Display
      Accurately check focus, composition, and exposure with the 1.23 million dot-equivalent 0.45" electronic viewfinder with 100% coverage. The built-in 3.5" 1.23MP equivalent OLED panel tilts 100 degrees for flexibility when composing tough perspective shots and rotates 180 degrees to protect the screen when not in use. Use the LCD display to review footage or to view the camera's waveform monitor.
      AVCHD or MP4 File Based Recording to SD Cards
      The camera records video to SDHC/SDXC cards using AVCHD, a high-efficiency codec that has quickly become a standard in both the professional and consumer video markets. Maximum bit-rate is 24 Mbps. Video files greater than 2GB are split into multiple files while recording, which are automatically joined together upon import using Canon Data Import. AVCHD video is widely supported across NLE systems and is the standard codec for Blu-Ray.

      The camera records using the MP4 codec, and can record in fast motion (25% faster) or slow motion (40% slower) in MP4 recording mode.
      Full Manual Control and Focusing Aids
      The camera offers complete manual control of each aspect of the recording process. Create and recall custom picture settings, camera functions, and display options. The camera also features several powerful and intuitive focusing aids in both the EVF and LCD monitor that make it easy to confirm critical focus distance; Peaking Modes and Magnify Focus Modes are available while in standby or while recording. Additionally, the LCD features Edge Monitor Display; green waveform display the overall focus of the scene and red waveform provide focus feedback of the three focus check boxes visible on the LCD monitor.
      One Shot AF and Push Auto Iris
      One-Shot AF executes focus adjustments with a dedicated button, and the Push Auto Iris button automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure. Both of these functions can be accessed even when operating in manual mode.
      Built-In ND Filters
      In excessively bright environments neutral density filters are often required to avoid over exposure, without compromising desirable shutter and aperture settings. It features built-in ND filters in three densities, which make for four ND configurations (OFF, 2 stops, 4 stops, 6 stops). The built-in ND filters are deployed via a manual dial.
      Remote Terminal
      Remotely control the camera via its LANC-compatible remote terminal. Remote operation allows for single-person operation even in creative rigging situations.
      Additional Features
      • Waveform monitor; standard and RGB modes
      • Exposure/Focus aids: Peaking, Zebra, Magnify, Edge Monitor Focus Assist, Black and White Mode
      • Drop Frame (DF) or Non-Drop Frame (NDF) Timecode
      • Timecode modes: Regen, Record Run, Free Run
      • Nice Customized Picture Profiles available in camera and up to 20 can be saved to an SD card
      • Custom picture profiles can be adjusted using the following settings: Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Balance, Color Correction, Setup Level
      • 15 assignable function buttons
      • SMPTE, EBU, or ARIB standard color bars can be selected
    • EF 24-105mm f/4L IS II USM Lens

      If you could only have one lens, many photographers would pick the upgraded EF 24-105mm f/4L IS II USM Lens from Canon due to its exceptionally versatile zoom range from wide-angle to short telephoto, a constant f/4 aperture, and an outstanding build quality befitting an L-series lens. This version II of the popular lens makes improvements to image quality through the use of a new optical design with four glass-molded aspherical elements, which helps to limit vignetting in your images. Also, it uses an Air Sphere Coating to reduce ghosting and flaring.

      A ring-type Ultrasonic Motor AF system provides fast and accurate autofocus while built-in optical image stabilization can help compensate for about 4 stops of shutter speed, minimizing the effects of camera shake. This lens also offers a zoom lock switch to prevent lens creep when not actively in use as well as an internal focus system. Full-time manual focus override is available for making adjustments regardless of the AF mode. Additionally, it has a rounded 10-blade aperture diaphragm for smooth out of focus elements.

      As with all L-series lenses, this optic has a dust- and water-resistant construction thanks to numerous seals that prevent intrusion when working in inclement weather. It also uses a fluorine coating on the exposed front and rear elements to help prevent smudges and to make cleaning easier.

      Offering a versatile zoom range of 24-105mm, this L-series lens is a staple of many shooters' kits. This updated version offers improved image quality, with a notable enhancement in peripheral brightness.
      Designed for use with full-frame DSLRs, this optic is compatible with APS-C format cameras as well where it will provide a 38.4-168mm equivalent focal length range.
      Constant f/4 maximum aperture offers consistent performance and light transmission throughout the zoom range.
      Four glass-molded aspherical elements, including one large-diameter double-sided glass-molded lens, help to minimize distortions throughout the zoom range in order to maintain edge-to-edge sharpness and illumination.
      An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
      A ring-type Ultrasonic Motor (USM), along with an internal focusing system, high-speed CPU, and optimized AF algorithms, are employed to deliver fast, precise, and near-silent autofocus performance.
      Optical image stabilization minimizes the effects of camera shake by compensating for up to 4 stops of shutter speed.
      Full-time manual focus operation is available for fine-tuning of your focus position when working in the AF mode.
      Zoom lock prevents lens creep when not in use.
      A weather-resistant design protects the lens from dust and moisture to enable its use in inclement conditions. Additionally, fluorine coatings have also been applied to the front and rear lens elements for further protection against fingerprints and smudging.
      Ten rounded diaphragm blades contribute to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.

    EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only)

    Image Sensor
    Sensor Super 35mm CMOS (24.6 x 13.8 mm) (28.2 mm diagonal)
    Total Pixels Approx. 9.84 megapixels (4206 x 2340)
    Effective Pixels Approx. 8.29 megapixels (3840 x 2160 pixels)
    Processor DIGIC DV 4
    Color Filter RGB Primary Color Filter (Bayer Array)
    Lens System
    Lens Mount Canon EF mount with EF contacts
    ND Filters Clear, 2 stops (1/4), 4 stops (1/16), 6 stops (1/64)
    Iris Dial Manual setting in 1/2-step increments, 1/3-step increments, or fine
    Push auto iris control
    Peripheral Illumination Correction On supported Canon EF, EF-S, and Cinema lenses
    Exposure Control
    Exposure Modes Manual
    Push Auto Iris Control (metering system selection/AE shift possible)
    Metering Modes Standard Center Weighted, Spotlight, Backlight
    Gain Normal: -6 to 30 dB TBD
    Fine: 0 to 24 dB, in 0.5 dB increments
    ISO Range 320 to 102,400 in 1/3-step increments
    Shutter Modes OFF, ISO Speed, Shutter Angle, Slow Shutter, or Clear Scan

    Speed setting can be set in 1/2 or 1/3 stop increments
    Shutter Speed Range 59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz 

    PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz 

    23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz 

    50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz 

    PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz
    Shutter Angle Settings 59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

    PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

    23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25

    50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25

    PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
    Focus Control
    Settings Manual
    One-Shot AF
    Continuous AF
    Autofocus AF is dependent on interchangeable lenses
    Dual Pixel CMOS AF with Canon EF, EF-S, and Cinema lenses
    Signal System NTSC and PAL
    Recording Format Compression: MPEG-4, AVC/H.264, MP4
    Maximum bit rate: AVCHD 28Mb/s, MP4 35Mb/s
    Frame Rates AVCHD
    1920 x 1080p: 59.94. 50, 23.98
    1920 x 1080i: 59.94, 50
    1920 x 1080PF: 29.97, 25

    1920 x 1080p: 59.94, 50, 29.97, 25, 23.98
    1280 x 720p: 29.97, 25, 23.98
    640 x 360p: 29.97, 25, 23.98
    Audio Record Mode AVCHD
    28 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz
    24 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz
    All other modes: Dolby Digital AC3
    Built-In Microphone Monaural microphone in camera body
    Stereo microphone in Handle Unit
    Audio Inputs 2 x XLR on top handle (Auto and Manual level settings)
    1 x 3.5 mm terminal
    XLR Mic Trimming -12, -6, 0, +6, or +12 dB
    Limiter Available
    Audio Level Control Infinity to +18 dB, Automatic
    Separate controls for internal and externally connected microphones
    Phantom Power +48 V
    Headphone Output Level 16 Settings; volume is muted at lowest setting
    Built-in Speaker Yes; 16 level settings
    Tone 1 KHz tone available; -12, -18, or -20 dB
    Recording Media 2 x SD/SDHC/SDXC card slots
    File system: FAT 32
    Maximum Recording Time AVCHD
    8GB SD Memory Card
    28 Mb/s 1920 x 1080: 35 minutes
    24 Mb/s 1920 x 1080: 40 minutes
    17 Mb/s 1920 x 1080: 1 hour
    7 Mb/s 1440 x 1080: 2 hours 20 minutes

    16GB SD Memory Card
    28 Mb/s 1920 x 1080: 1 hour 15 minutes
    24 Mb/s 1920 x 1080: 1 hour 25 minutes
    17 Mb/s 1920 x 1080: 2 hours 5 minutes
    7 Mb/s 1440 x 1080: 4 hours 45 minutes

    32GB SD Memory Card
    28 Mb/s 1920 x 1080: 2 hours 30 minutes 24 Mb/s 1920 x 1080: 2 hours 55 minutes
    17 Mb/s 1920 x 1080: 4 hours 10 minutes
    7 Mb/s 1440 x 1080: 9 hours 35 minutes
    64GB SD Memory Card
    28 Mb/s 1920 x 1080: 5 hours 24 Mb/s 1920 x 1080: 5 hours 55 minutes
    17 Mb/s 1920 x 1080: 8 hours 20 minutes
    7 Mb/s 1440 x 1080: 19 hours 10 minutes

    128GB SD Memory Card
    28 Mb/s 1920 x 1080: 10 hours 10 minutes
    24 Mb/s 1920 x 1080: 11 hours 55 minutes
    17 Mb/s 1920 x 1080: 16 hours 45 minutes
    7 Mb/s 1440 x 1080: 38 hours 25 minutes

    8GB SD Memory Card
    35 Mb/s 1920 x 1080: 30 minutes
    24 Mb/s 1920 x 1080: 40 minutes
    17 Mb/s 1920 x 1080: 1 hour
    4 Mb/s 1280 x 720: 4 hours 20 minutes
    3 Mb/s 640 x 360: 5 hours 40 minutes

    16GB SD Memory Card
    35 Mb/s 1920 x 1080: 60 minutes
    24 Mb/s 1920 x 1080: 1 hour 25 minutes
    17 Mb/s 1920 x 1080: 2 hours 5 minutes
    4 Mb/s 1280 x 720: 8 hours 40 minutes
    3 Mb/s 640 x 360: 11 hours 25 minutes

    32GB SD Memory Card
    35 Mb/s 1920 x 1080: 2 hours
    24 Mb/s 1920 x 1080: 2 hours 55 minutes
    17 Mb/s 1920 x 1080: 4 hours 10 minutes
    4 Mb/s 1280 x 720: 17 hours 20 minutes
    3 Mb/s 640 x 360: 22 hours 55 minutes

    64GB SD Memory Card
    35 Mb/s 1920 x 1080: 4 hours
    24 Mb/s 1920 x 1080: 5 hours 55 minutes
    17 Mb/s 1920 x 1080: 8 hours 20 minutes
    4 Mb/s 1280 x 720: 34 hours 45 minutes
    3 Mb/s 640 x 360: 45 hours 55 minutes

    128GB SD Memory Card
    35 Mb/s 1920 x 1080: 8 hours
    24 Mb/s 1920 x 1080: 11 hours 55 minutes
    17 Mb/s 1920 x 1080: 16 hours 45 minutes
    4 Mb/s 1280 x 720: 69 hours 30 minutes
    3 Mb/s 640 x 360: 91 hours 55 minutes
    Simultaneous REC./Relay REC. Yes
    Type 3.5" / 8.9 cm, OLED
    640 x 480
    922,000 pixels
    Adjustments Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
    Type 0.24" (0.61 cm) color
    960x540 resolution
    1,560,000 pixels
    Diopter Adjustment +2.0 to -5.5
    Adjustments Brightness, Contrast, Color, and Backlight
    HDMI Output 1 x Type A
    Timecode Embedded in HDMI output
    Audio Input 2 x Balanced 3-pin XLR on top handle unit
    1 x 3.5 mm input jack on main body
    Headphone Jack 1 x 3.5mm stereo mini-jack
    Remote Terminal LANC compatible
    USB 1 x Mini-B USB 2.0
    White Balance Auto, Kelvin, Daylight, Tungsten, Set A, Set B
    White balance shift is available within Presets (-9 to +9)
    Waveform Monitor 2 Modes (Standard and RGB Component)
    Minimum Subject Illumination 59.94 Hz: 0.3 lux
    50 Hz: 0.25 lux
    Language Support English, Japanese, Simplified Chinese, German, Spanish, French, Italian, Polish, Russian, Korean
    Power Supply 7.4 V DC (battery pack: BP-955)
    8.4 V DC (DC IN)
    Operating Temperature Performance requirements
    32 - 104°F (0 - 40°C), 85% relative humidity
    Operating requirements:
    32 - 113°F (0 - 45°C), 60% relative humidity
    Dimensions (W x H x D) Body with Thumb Rest: 5.3 x 6.7 x 5.1 in (13.5 x 17 x 12.9 cm)
    Body with Grip: 7.2 x 6.7 x 5.1 in (18.2 x 17 x 12.9 cm)
    W/ Thumb Rest and handle: 5.6 x 11.1 x 9.3 in (14.2 x 28.1 x 23.6 cm)
    W/ Grip and handle: 7.2 x 11.1 x 9.3 in (18.2 x 28.1 x 23.6 cm)
    Weight Body only: approx. 2.2 lb (1.0 kg)
    Grip: approx. 8.1 oz (230 g)
    BP-955 Battery: 7.8 oz (220 g)
    Packaging Info
    Box Dimensions (LxWxH) 14.5 x 12.0 x 12.0"

    EF 24-105mm f/4L IS II USM Lens

    Focal Length 24 - 105mm
    Aperture Maximum: f/4
    Minimum: f/22
    Camera Mount Type Canon EF
    Format Compatibility 35mm Film / Full-Frame Digital Sensor
    Angle of View 84° - 23° 20'
    Minimum Focus Distance 1.48' (45 cm)
    Magnification 0.23x
    Maximum Reproduction Ratio 1:4.3
    Elements/Groups 17 / 12
    Diaphragm Blades 10, Rounded
    Image Stabilization Yes
    Autofocus Yes
    Tripod Collar None
    Filter Thread Front: 77 mm
    Dimensions (DxL) Approx. 3.29 x 4.65" (83.5 x 118 mm)
    Weight 28.04 oz (795 g)
    Packaging Info
    Box Dimensions (LxWxH) 9.1 x 5.5 x 5.4"
  • Bundle Items
  • EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only)
  • Eyecup
  • Handle Unit
  • Thumb Rest
  • TB-1 Tripod Adapter Base
  • Shoulder Strap SS-1200
  • BP-955 Intelligent Lithium-Ion Battery Pack (5200 mAh)
  • Battery Charger
  • Compact Power Adapter CA-940N
  • DC Cable (for CA-930)
  • AC Cable
  • CD-ROM with Data Import Utility Ver. 1.0
  • Limited 1-Year Warranty

  • EF 24-105mm f/4L IS II USM Lens
  • E-77 II 77mm Lens Cap
  • Lens Dust Cap E (Rear)
  • Lens Hood EW-83M for EF 24-105mm f/3.5-5.6 IS STM
  • LP1219 Soft Lens Case
  • Limited 1-Year Warranty

  • California Customers: Proposition 65 WARNING Cancer and Reproductive Harm www.P65Warnings.ca.gov

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